“Lips and your beard and dark doorways
and the sense that I didn’t quite understand how the stars hung that way,
or the way we’d partied and drank Coronas
at a prison where men had languished and died in
feverish, dreamless solitude,
where they had locked up Al Capone until
time slipped on and on enough,
and suddenly we were drunk and shouting “Vive la France,”
eating cake a woman tossed to us from a mossy stone tower
in a pink Victorian dress.”
Read the full poem online in Painted Bride Quarterly.
“…Just the feeling, in the suburbs, over coffee, over pavement,
that I didn’t know him at all,
and that I would cease to exist if I left him now.
Just the same old banal love story,
older than Europe and concrete and cuneiform,
that makes every country song a prophecy.”
Read the full poem at Eunoia Review.
Maybe you thought the only thing you could get out of a vending machine was stale prewrapped cake, a bag of Frito-Lays and a feeling of regret. Try a book instead.
The New Yorker just featured a story on “the world’s first short-story vending machines” in France, but in Philly we’ve had them for years. Nic Esposito and Philadelphia nonprofit book publisher The Head & The Hand launched the literature vending machines in 2014 at Elixr Coffee in Rittenhouse Square with rotations around the city, and they’re back March 17.
Read full article here.
Short piece on Councilwoman Blondell Reynolds Brown’s Noonwalk exercise initiative at City Hall for Be Well Philly on Philadelphia magazine.
There’s a bitter wind whipping through the streets, and the sun is just starting to creep up behind the mounted bronze George Washington overlooking the intermittent traffic of the Benjamin Franklin Parkway. Yet Dan Layo and Suzanne Allaire are already running determinedly up the steps of the Philadelphia Museum of Art.
Since October, through the polar vertex, and including workouts on Christmas Day and New Year’s Day, Philadelphia’s chapter of the nonprofit fitness group November Project has held a free, open-to-all workout at 6:25 a.m. every Wednesday on the Art Museum steps.
Read my article on Philly.com and in The Philadelphia Inquirer.
You’ve brought tourist friends to PAFA’s giant paintbrush, giggled when Kid Hazo decorated it as a poop emoji, and dodged tourists taking photos in front of the Love sculpture. That’s enough, right?
In the second part of Billy Penn’s effort to get up close and personal with public art (read part one here), I did the Association for Public Art’s Museum Without Walls tour, which is pretty much what it sounds like.
Read part two here.